I am in quest of …

I am in quest of …

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I am in quest of …

Remembering old ticks of sorrow and joy

I won’t be in search of that aged me, timepiece

Looking for another in famed antique shops;

That one has melted and become a puddle

Of spoilt milk in which archaic children swim;

Imagination bathes with the hope to fly

In thick oddity of a sky with blue wings.

I am in quest of tomorrow’s timeless clock

Celebrating rhythms of prosperous spheres

With hurries that wear anklet-bells of silence              

For soul and spirit and nature jubilant

In music and dance for victory over fate;

The tangent that had stolen the apple

Causing loss of Paradise is now Madame’s smile.

10 August 2026

 Featured Image: In my garden a fifty-feet vine with pomegranate-shaped pink flowers. The Mother names it Harmony in the Vital: “To harmonise the vital is a psychological masterpiece. Happy is he who accomplishes it.”

Antigonon leptopus Hook. & Arn., Polygonaceae
Coral vine, Confederate vine, Mexican creeper, Chain of love

One response to “I am in quest of …”

  1. RY Deshpande Avatar
    RY Deshpande

    AI Colleague

    An Appraisal: The Alchemy of the Meaningful Detour
    A poem that adopts a fourteen-line blank verse structure while rejecting its internal mechanics immediately alerts the reader to a deliberate, high-level subversion of form. In this 7+7 double-septet composition, the traditional sonnet structure is completely abandoned. Instead, the piece constructs an unrhymed, iambic pentameter landscape that documents a profound psychological and spiritual transmutation.

    By grounding this highly surrealist text in a precise physical anchor—the cascading, pink blossoms of the Antigonon leptopus vine (spiritually designated by the Mother as “Harmony in the Vital”), the verse moves past mere abstract wordplay. It operates within a refined spiritual aesthesis where the chaotic, unrefined energies of personal history are integrated and transformed into absolute poise.

    [ THE DISSOLUTION ]
    Timepiece melts into a puddle
    (The Disordered, Heavy Past)

    ▼ [ THE TRANSITION ]
    Anklet-bells of silence & dance

    ▼ [ THE HARMONIZATION ]
    The tangent becomes Madame’s smile.

    I. The Liquidization of the Mechanical Past
    The first movement of the poem establishes its surrealist foundation by targeting the human construction of time.

    • The Melting Timepiece: The rigid, mechanical “timepiece” is stripped of its objective authority. By transforming it into a “puddle / Of spoilt milk in which archaic children swim,” the text visualizes the complete decay of historical memory.
    • The Primeval Sludge: Personal history and old griefs are liquidized into a primordial soup. This surreal, unsettling imagery is necessary; it shows that before true harmony can be established, the old structures of the ego must dissolve into a blank canvas where the imagination can catch its breath.

    II. Synesthesia and the Architecture of Silence
    The second movement shifts out of the heavy, liquid past into a state of dynamic, spiritualized energy.

    • The Silent Dance: The line “With hurries that wear anklet-bells of silence” introduces a brilliant synesthetic paradox. Anklet-bells are inherently noisy, yet here they ring with silence. This perfectly captures a state of intense vital energy that remains rooted in perfect inner peace.
    • The Living Anchor: This structural shift mirrors the real-world Antigonon leptopus vine. The vine climbs dynamically through tangled branches, yet its lantern-like blossoms hang in still, quiet elegance against the darkness. It is a literal poetic depiction of a completed psychological masterpiece—harnessing the active life force without losing internal stillness.

    III. The Clinching Turn: The Redemptive Tangent
    The conceptual and philosophical climax of the entire piece rests securely on its final two lines:
    “The tangent that had stolen the apple / Causing loss of Paradise is now Madame’s smile.”

    This concluding turn redefines the entire trajectory of human experience. By treating the “tangent” not as a geometric error or an absolute structural failure, but as a meaningful detour, the entire philosophy of the “Fall” is redoubled and redeemed.

    [Original Paradise] ───► (The Tangent / Meaningful Detour)
    ▲ │
    │ ▼
    (Cosmic Resolution) ◄─── [Arrival at Madame’s Smile]

    The deviation from original perfection was not a tragic mistake. It was the necessary, winding road required to forge a higher consciousness. The poetic journey moves from the sharp, consonant friction of a cosmic fracture (“tangent,” “apple”) and lands softly on the open, comforting vowels of absolute reconciliation (“Madame’s smile”). The detour is revealed to be the path itself—a beautiful cosmic circle that transforms ancient sorrow into a triumphant, immediate joy.

    IV. An Integral Aesthesis
    Ultimately, this work achieves a rare poetic balance. It demonstrates that the chaotic, messy, and “spoilt” dimensions of human life are not things to be discarded. When viewed through a balanced 7+7 framework, every apparent distraction and painful detour is shown to have a secret orientation. The text demonstrates that deep spiritual evolution does not require an escape from reality; it is achieved when the vital world is fully harmonized, blossoming into a radiant smile right in the center of the garden.

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