11: Scribbled Notes — When did Savitri begin her Yoga?

11: Scribbled Notes — When did Savitri begin her Yoga?

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11: Scribbled Notes — When did Savitri begin her Yoga?

There were three major phases in the composition of Savitri. The first was from 1916 to about 1920. During this period, the original narrative poem grew in length and complexity as well as in depth of meaning, but had not yet turned into a full-fledged epic. The second phase extended from somewhere around 1930 to 1945. Sri Aurobindo now considered Savitri his major literary work. He concentrated on what became Part One, greatly increasing the role of Aswapati and the element of Yogic experience and spiritual and philosophical vision in the scope of the poem. Then in the last five years, from 1945 or 1946 to 1950, he returned to the later parts. He revised what he had already written and added much new material, including several cantos on Savitri’s Yoga.

The Mother says that Sri Aurobindo has described her spiritual experiences and realisations in Savitri. Sri Aurobindo revised certain sections to reflect these experiences. Savitri portrays the Divine Mother’s descent into human nature to transform it. This descent involves taking on human limitations and suffering, not out of ignorance, but through a conscious identification with humanity. This allows her to uplift and transform the world from within. She described this as a “voluntary sacrifice” to bridge the gap between the divine and the human. She said that reading Savitri brought her into contact with the same spiritual realms and experiences described in the text. Savitri becomes an aspect of her spiritual biography.

In the poem, Savitri represents the Mother’s consciousness, embodying the divine force that confronts and overcomes death and ignorance. Satyavan symbolises the Avatar, the incarnation of the Supreme. Together, they illustrate the dynamic interplay of divine love and transformative power. Savitri is not only a literary masterpiece but also a spiritual scripture that describes the lived experiences and realisations of Sri Aurobindo and the Mother. It is an authentic original guide to follow the path of integral yoga and participate in the evolutionary transformation of consciousness.

The Book of Yoga, Book Seven of Savitri, essentially belongs to 1946. The question is, how does it present the Yoga of Savitri she must have been doing since the very beginning of this earth, if she was present right from that instant? To address this, if at all it is in our reach, we must consider the symbolic and evolutionary framework of the poem, as well as the Mother’s own insights into her eternal presence and work.

In Savitri, the remarkable protagonist is not merely a historical or mythological figure but a glowing symbolic representation of the Divine Mother herself. The Mother has explained that Savitri embodies the divine force that has been present since the beginning of the creation, working tirelessly for the transformation of consciousness and the redemption of the world. Her yoga is not confined to a single lifetime but runs through the entire evolutionary journey of the earth and humanity. This lines up with the Mother’s assertion that she has been present since the very inception of the earth, guiding its progress and participating in its struggles.

In the present Legend and Symbol, Book Seven, The Book of Yoga, focuses on Savitri’s intense inner journey as she prepares to confront Death and reclaim Satyavan. This text of the Poem captures the essence of her yoga, which involves:

  • Descending into the depths of human nature: Savitri explores the darkest recesses of her being, confronting ignorance, suffering, and limitation. This mirrors the Mother’s own work of descending into the inconscient to transform it from within.
  • Ascending to higher realms of consciousness: Savitri ascends to the supramental planes, drawing down their transformative power to uplift the earth. This reflects the Mother’s role in bringing the supramental consciousness into the material world.
  • Uniting the transcendent and the immanent: Savitri’s yoga is a synthesis of the highest spiritual realization and the most profound engagement with earthly life. This integral approach is central to the Mother’s and Sri Aurobindo’s vision of spiritual evolution.

While Book Seven was written in 1946, it must be understood that it, capturing the eternal and universal aspects of Savitri’s yoga, transcends historical time. The Mother’s presence “since the beginning of this earth” signifies her timeless involvement in the evolutionary process. It means, the yoga described in Savitri is not limited to any specific period but it represents the ongoing work of the Divine Mother to awaken and transform consciousness across ages.

The earth is a field for the progressive manifestation of the Divine. Savitri’s yoga, as depicted in Book Seven, reflects this evolutionary journey; in it the Divine Mother takes on the burden of human ignorance and suffering to lead creation towards its ultimate destiny of divine life.

This Book presents the yoga of timeless Savitri as a microcosm of the eternal work of the Divine Mother. It expounds in detail her unceasing effort to transform the inconscient into the supramental, bridging the gap between the divine and the human. This yoga is not confined to a single moment or lifetime but is an integral part of the evolutionary process that has been unfolding since the dawn of creation.

Therefore the Divine Savitri who had taken the mortal birth, — even as she was compelled to take the mortal birth, — did not really need any pretext to do Yoga. She comes for a specific missioned task and to accomplish it she must do whatever is necessary for it to be done. She comes with all that knowledge and understanding, with necessary care and concern. But in the play of the cosmic forces every element comes into operation which a Legend is not obliged to spell out. The appearance of Narad in Book Six could therefore be considered as a wonderful literary device though there are constant instances of higher beings coming to promote the earthly process on its evolutionary journey.

To repeat, the pertinent deeper question is: When did Savitri begin her Yoga? It cannot be confined and restricted to any particular life; it has been throughout the unrecorded ages. But there is something very definite also about her present incarnation represented in the epic Savitri, she the resplendent Mother born on 21 February 1878. It is she who is represented by Sri Aurobindo in the epic Savitri. The Mother says: “Since the beginning of the earth, wherever and whenever there was the possibility of manifesting a ray of Consciousness, I was there.”

The implication is, her Yoga begins with the Earth born as a “significant centre”, her Yoga for the realisation of the Divine here, on Earth. There is a specificity of the Earth in the present cycle of creation. The earlier creations which had to be absorbed into the Non-Manifest did not have this “significant centre”. The Mother was not present during those periods.

Her presence is what makes Earth a “significant centre”. That is her incomparable glory. Her Yoga is for her, to dissolve the Doom and open the path for the divine Event’s appearance.

All this is not present in the Legend of Savitri but perhaps it has to be supplied in the pregnancy and significanceof the Legend itself. It is not there even in the Tale belonging to the Vedic Cycle, the earliest intuition of the birth of a divine family, divyam janam. It is Vyasa who has given this form as a graspable narrative belonging to the relatively recent times. Therefore while Sri Aurobindo goes broadly by this Vyasa-tale, calling it a Legend, he also widens it into universal realisation of the spirit’s glories in the dark and difficult matter.

But far beyond the Legend is the Mother’s experience of her body always participating in the work of transformation. Regarding supramental light in the physical she reveals: Sri Aurobindo experienced it in his consciousness, not in the body—but my body has always participated.”

In this context we have the following perspective coming in an email from NG:

It is presenting broadly in the sense that the method is Tantric but in sequence and circumstance there would be differences. For example Canto VI: Nirvana and the Discovery of the All-Negating Absolute and Canto VII are both descriptions of Sri Aurobindo’s own yoga of Nirvana (Canto VI) and Vasudeva (Canto VII) and even there Sri Aurobindo changes the setting from city to forest. The second aspect of why Savitri’s yoga in general corresponds to the Mother’s yoga is as the Mother said “My Body has always participated” which is what Savitri’s birth and development suggests. As for the Mother’s knowing of the psychic being is different to Savitri’s finding of the psychic **entity** as in relation the psychic entity is the secret centre of the psychic being which the psychic being has to realise in its progress. This Mother has described in two different places one is what she calls the “realisation of psychic immortality” which she dates around 1902-04 and definitely before going to Tlemcen where on her first meeting with Théon she could assert that she fears nothing being in possession of her immortal self. But in 1912 is when Mother describes a one year (reminds of Satyavan’s one year) to find the “divine Reality” or the immanent God which I suppose is the psychic entity. She further explains this as when the inmost psychic Being invades the body and the physical consciousness is universalised which kind of confirms that this is what we have in Book 7 Canto 5. So the question is about the first one or the psychic immortality or the immortality of consciousness–what does it mean in Sri Aurobindo’s yogic framework?

But if Savitri’s yoga had been a close presentation then perhaps it would have been structured like the Mother structures her yoga as happening in intervals of 12 years starting at 5/ 6 where first 12 till age 18 was for developing consciousness, the second 12 was for developing the vital (through art and occult work under Asura of Death) and the third 12 for mind (first 6 in association with Asura of Falsehood and the next 6 with the Avatar of Perfection) and the subsequent work and physical (after 1920 in any case it had merged with Sri Aurobindo’s yoga so after it we have to see it as a joint yoga and not a separate line at all).

All these details I had put up in the following compilation:

Here are just a few revelations from the Mother:

When I returned from Japan and we began to work together, Sri Aurobindo had already brought the supramental light into the mental world and was trying to transform the Mind. ‘It’s strange,’ he said to me, ‘it’s an endless work! Nothing seems to get done—everything is done and then constantly has to be done all over again.’ Then I gave him my personal impression, which went back to the old days with Theon: ‘It will be like that until we touch bottom.’ So instead of continuing to work in the Mind, both of us (I was the one who went through the experience… how to put it?… practically, objectively; he experienced it only in his consciousness, not in the body—but my body has always participated), both of us descended almost immediately (it was done in a day or two) from the Mind into the Vital, and so on quite rapidly, leaving the Mind as it was, fully in the light but not permanently transformed.

The Mother, Mother’s Agenda — 1961: November 7, 1961

At times I sense there’s an extraordinary secret to discover, just there at my finger tips; I feel that I am going to catch the Thing, to know … Sometimes, for a second, I see the Secret; there is an opening, and again it closes. Then once again it is unveiled for a second and I come to know a little more. Yesterday the Secret was there completely clear, wide open. Sri Aurobindo speaks of this Secret almost everywhere, especially in his Essays on the Gita. He tells us that in the Gita itself one gets glimpses of this thing which is beyond the Impersonal, beyond even the Personal behind the Impersonal, beyond the Transcendent.

Well, I saw this Secret—I saw that the Supreme only becomes perfect in terrestrial matter, on earth. ‘Becomes’ is just a way of speaking, of course, for everything already is, and the Supreme is what He is. But we live in time, in a successive unfoldment, and it would be absurd to say that at present Matter is the expression of a perfect Divine.

I saw this Secret (getting more and more perceptible as the Supramental becomes clear), I saw it in the everyday, outer life, precisely in this very physical life which all spirituality rejects … a kind of accuracy or exactitude right down to the atom.

I am not saying that the ‘Divine’ becomes perfect in Matter—the Divine is already there—but that THE SUPREME becomes perfect in Matter.

The Mother, Mother’s Agenda — 1951-1960:May 6, 1960

I read a part of Savitri which tells how the king is transformed—those are ALL the experiences my body is now going through! I knew nothing about it … and I seemed to be reading all the experiences my body is now going through…. It’s interesting. There’s EVERYTHING in this Savitri! And to be able to describe those experiences like that, he must have had them.

The mystery is always why he left. Yes. I remember quite clearly and precisely (I still see the whole setting, in his room) a conversation I once had with him—in what connection, I don’t know…. It was… (I forget what preceded), he told me, “We can’t both remain upon earth, one must go.” Then I said to him, “I am ready, I’ll go.” Then he told me, “No, you can’t go, your body is better than mine, you can undergo the transformation better than I can do.”

But I didn’t attach too much importance [to that conversation]; it’s only when he left that it suddenly came back, and I thought, “So there, he knew!…” It was… I don’t know. It was almost like a speculation, you understand, which he was just mentioning. It was at the time of our moving from the other house to this one,2 because it took place one day in that room, here [downstairs], and it was before his accident, before he broke his leg. In what connection, I forget. That’s gone. But I remember clearly, so clearly, I still see the room and everything, how he was, how he told me, “We can’t both remain upon earth.” That’s all.

But when he said it to me, I found it so obvious that I didn’t even ask him. So it must have followed something, and that something is gone. Because I remember, I told him, “I am absolutely ready, I’ll go.” Then he looked at me, and he said, “No, no, your body is better than mine, it can undergo…” Why?… How many times since then I have asked myself that question.

“Your body on earth…” Sri Aurobindo said, “What I see is that your body is the only one that has sufficient endurance to go through the ordeal.” But, you understand, this body knew nothing about it, it has no ambitions (!), still less pretensions. But basing myself on that, when he told me, “You will do the work,” I said yes. So there we are.

As for me, the power of consciousness goes on increasing; for the time being—I repeat, for the time being—the physical power is reduced to almost nought. I am forced to stay here, minding nothing, and make shift with seeing people. So I need some persons to do the practical work I used to do before and can no longer do… (Mother is short of breath). I can’t speak with the same strength as before—the physical is undergoing a transformation, you know. Sri Aurobindo himself had said—and rightly so—he said (because one of us had to go, and I offered to go), “No, your body is capable of enduring it, it has the strength to undergo transformation.” It’s not easy. I can assure you, it’s not easy. Yet my body is good-willed, it is really good-willed. But for the moment it is in the process of… well, it is no longer quite on this side but not yet on the other. The transition isn’t easy. So I am stuck here, like an old woman, incapable of doing any work.

18 March 2026

7 responses to “11: Scribbled Notes — When did Savitri begin her Yoga?”

  1. RY Deshpande Avatar
    RY Deshpande

    Savitri’s birth is coincident with the birth of the Earth. Her Psychic Being is in identity with the Psychic Being of the Earth. Therefore it is ever-living and carries in it the psychic gains, merits, puṇyas, from life to life, even as it continues to grow and become richer and richer, adding to them more and more in physical appearances. Ever the body also participates in it, always.

  2. RY Deshpande Avatar
    RY Deshpande

    22 February 1914
    When I was a child of about thirteen, for nearly a year every night as soon as I had gone to bed it seemed to me that I went out of my body and rose straight up above the house, then above the city, very high above. Then I used to see myself clad in a magnificent golden robe, much longer than myself; and as I rose higher, the robe would stretch, spreading out in a circle around me to form a kind of immense roof over the city. Then I would see men, women, children, old men, the sick, the unfortunate coming out from every side; they would gather under the outspread robe, begging for help, telling of their miseries, their suffering, their hardships. In reply, the robe, supple and alive, would extend towards each one of them individually, and as soon as they had touched it, they were comforted or healed, and went back into their bodies happier and stronger than they had come out of them. Nothing seemed more beautiful to me, nothing could make me happier; and all the activities of the day seemed dull and colourless and without any real life, beside this activity of the night which was the true life for me. Often while I was rising up in this way, I used to see at my left an old man, silent and still, who looked at me with kindly affection and encouraged me by his presence. This old man, dressed in a long dark purple robe, was the personification—as I came to know later—of him who is called the Man of Sorrows.

    Now that deep experience, that almost inexpressible reality, is translated in my mind by other ideas which I may describe in this way:

    Many a time in the day and night it seems to me that I am, or rather my consciousness is, concentrated entirely in my heart which is no longer an organ, not even a feeling, but the divine Love, impersonal, eternal; and being this Love I feel myself living at the centre of each thing upon the entire earth, and at the same time I seem to stretch out immense, infinite arms and envelop with a boundless tenderness all beings, clasped, gathered, nestled on my breast that is vaster than the universe…. Words are poor and clumsy, O divine Master, and mental transcriptions are always childish…. But my aspiration to Thee is constant, and truly speaking, it is very often Thou and Thou alone who livest in this body, this imperfect means of manifesting Thee.

    May all beings be happy in the peace of Thy illumination!
    https://incarnateword.in/cwm/01/february-22-1914

    [She met Sri Aurobindo on 29 March 1914. Yogically she was before now, at the age of 36, ready with her deepest psychic being to launch on a vaster project, of a new world she saw in her mediation in that very first meeting of theirs.]

  3. Martin Avatar
    Martin

    Reading this text I feel that the mother’s yoga is maybe the biggest mystery of our modern times and diving into it would naturally be a dive into one’s own mystery

    1. RY Deshpande Avatar
      RY Deshpande

      Yet the two mysteries belong to different Waters, the Divine and the Human.

      1. Martin Avatar
        Martin

        But isn’t it that the true mystery of any human being lies first in the psychic, which is the very link between human and divine?

    2. RY Deshpande Avatar
      RY Deshpande

      Each psychic being has its own uniqueness with a specific mystery of each in the creation, yours your own, my my own; each comes to accomplish it and promote it further. As long as we try to grasp it from human point of view it remains a mystery. But when discovered and established it smiles with joy in the richness of the Divine. It knows for what it is here, and flourishes in it.

  4. RY Deshpande Avatar
    RY Deshpande

    In Book Seven Canto Four of Savitri there is the voice of Man of Sorrows. He says:

    I am the victim of titanic ills,
    I am the doer of demoniac deeds;
    I was made for evil, evil is my lot;
    Evil I must be and by evil live;
    Nought other can I do but be myself;
    What Nature made me, that I must remain. ||122.37||
    I suffer and toil and weep; I moan and hate. ||122.38||

    This comes after the First Madonna tells Savitri:

    I carry the fire that never can be quenched
    And the compassion that supports the suns. ||122.21||
    I am the hope that looks towards my God,
    My God who never came to me till now;
    His voice I hear that ever says ‘I come’:
    I know that one day he shall come at last. ||122.22||

    This Madonna of divine pity accepted the universe as her body of woe:

    Accepting the universe as her body of woe,
    The Mother of the seven sorrows bore
    The seven stabs that pierced her bleeding heart:
    The beauty of sadness lingered on her face,
    Her eyes were dim with the ancient stain of tears. ||122.4||

    When did the Mother accept this body of woe? Could this be at the time of Christ, his mother Mary? It seems, there is a strong connection between the two.

    About Mary the Mother speaks of she having a crown of 12 pearls. The twelve pearls mentioned in connection with Mary and her crown symbolise the twelve qualities or virtues of the Divine Mother. These are integral aspects of her manifestation and powers, as described in the teachings of Sri Aurobindo and The Mother. The twelve petals in the Mother’s symbol, for instance, represent these twelve powers necessary for the complete manifestation of the Divine Consciousness .

    Madame Théon, a spiritual figure who recognised The Mother, associated the twelve pearls with a profound spiritual significance, seeing them as a mark of divine realization and completeness . This aligns with the idea of the “second birth” mentioned in the Vedas, symbolizing the spiritual birth and the attainment of conscious completeness.

    Mary, as a symbol, represents the divine potential within the material world—the possibility of elevating and transforming matter into a conscious expression of the Divine.

    In the teachings of Integral Yoga, the transformation of Matter is a central theme. It is not merely about transcending the physical world but about infusing it with higher consciousness, allowing the Divine to manifest fully in the material realm. Mary embodies this possibility, serving as a bridge between the earthly and the divine, showing that even the densest and most inert aspects of existence can be awakened to their divine essence.

    This perspective goes with the idea of the supramental descent—the infusion of supramental consciousness into the physical world, which Sri Aurobindo and The Mother envisioned as the next step in human evolution. Mary, as a symbol of purity, receptivity, and divine grace, exemplifies the readiness of matter to be transformed and uplifted into its highest potential.

    The question of whether the Mother herself incarnated as Mary is profound and touches upon the nature of divine manifestations across time. While the Mother did not explicitly claim to have been Mary in a previous incarnation, her teachings and insights often suggest that divine consciousness manifests in various forms throughout history to guide humanity’s evolution.

    Mary, as the mother of Christ, symbolises purity, receptivity, and the divine potential within matter. These qualities resonate deeply with The Mother’s role in Sri Aurobindo’s Integral Yoga, where she embodies the Divine Mother.

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