Savitri — A Legend and a Symbol
[Here is the illuminating declaration of Sri Aurobindo regarding Savitri which he calls a legend and a symbol. But both are, not algebraic signs and notations, not even metaphors; they are dynamic and revelatory.]
All forms are tokens of some veiled idea
Whose covert purpose lurks from mind’s pursuit,
Yet is a womb of sovereign consequence. ||50.71||
There every thought and feeling is an act,
And every act a symbol and a sign,
And every symbol hides a living power. ||50.72||
Nirodbaran once asked Sri Aurobindo: “Has your own epic Savitri anything to do with the Mahabharata story?”
Sri Aurobindo replied: “Not really. Only the clue is taken from the Mahabharata. My story is symbolic. I believe that originally the Mahabharata story was also symbolic but it has been made more into a tale of conjugal fidelity.”
Nirodbaran: “What is your symbolism?”
Sri Aurobindo: “Well, Satyavan whom Savitri marries is the symbol of the Soul descended into the Kingdom of Death, and Savitri, who is, as you know, the Goddess of Divine Light and Knowledge, comes down to redeem Satyavan from Death’s grasp. Aswapathy, the father of Savitri is the Lord of Energy. Dyumatsena is “one who has the shining hosts”. It is all inner movement, nothing much as regards outward action. The poem opens with the Dawn. Savitri awakes on the day of destiny, the day when Satyavan has to die. The birth of Savitri is a boon of the Supreme Goddess given to Aswapathy. Aswapathy is the yogi who seeks the means to deliver the world out of Ignorance…”
The tale of Satyavan and Savitri is recited in the Mahabharata as a story of conjugal love conquering death. But this legend is, as shown by many features of the human tale, one of the many symbolic myths of the Vedic cycle. Satyavan is the soul carrying the divine truth of being within itself but descended into the grip of death and ignorance; Savitri is the Divine Word, daughter of the Sun, goddess of the supreme Truth who comes down and is born to save; Aswapati, the Lord of the Horse, her human father, is the Lord of Tapasya, the concentrated energy of spiritual endeavour that helps us to rise from the mortal to the immortal planes; Dyumatsena, Lord of the Shining Hosts, father of Satyavan, is the Divine Mind here fallen blind, losing its celestial kingdom of vision, and through that loss its kingdom of glory. Still this is not a mere allegory, the characters are not personified qualities, but incarnations or emanations of living and conscious Forces with whom we can enter into concrete touch and they take human bodies in order to help man and show him the way from his mortal state to a divine consciousness and immortal life.

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